KINOSHORTS
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3 January 2016 / 19.00
17 January 2016 / 21.30 The Fox Exploits The Tiger’s Might A Film by Lucky Kuswandi 2015, Indonesia, 25 minutes, Drama Two preteen boys discover their sexuality and the relation between power and sex. Sendiri Diana Sendiri / Following Diana A Film by Kamila Andini 2015, Indonesia, 40 minutes, Drama One night, Diana's husband presents her with a chart that reveals his shocking plan to share the little family with another woman. Kisah Cinta Yang Asu / Love Story Not A Film by Yosep Anggi Noen 2015, Indonesia, 40 minutes, Drama Ning and Martha are two prostitutes from different class backgrounds. They are entangled in a love triangle with Erik. |
Spotlight On Asrul Sani
Asrul Sani (1927– 2004) was a legendary Indonesian writer, poet and screenwriter. Sani's first screenplay was Lewat Djam Malam (Past Curfew) which was awarded in the 1955 Indonesian Film Festival. Other award winning screenplays were Kejarlah Daku Kau Kutangkap (Chase Me, I'll Catch You) and Titian Serambut Dibelah Tujuh, which will be featured in this month’s spotlight on Asrul Sani.
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Kejarlah Daku
Kau Kutangkap (15+) 8 January 2016 / 21.30 Ramadhan and Mona meet through a newspaper lottery called “The Lucky One Today” and are eventually married. Ramadhan turns out to be a very dominant king of the household and Mona gets some marital advice from Marni her best friend to stand up to her husband. |
Omong Besar (15+)
9 January 2016 / 19.00 Jamal and Kamil are street peddlers who are tired of the hard life. Jamal decides to change his life by “talking big” (omong besar), using his friends and bluffing his way into success as the director of a company. The tables turn when he falls for an actress who has also lied her way into a career. |
Titian Serambut Dibelah Tujuh (18+)
10 January 2016 / 19.00 Ibrahim, a young visiting teacher, finds many peculiarities in the village he is staying in. Desipite their extremely conservative values and practices, the villagers display questionable behavior and morals. Ibrahim himself becomes the victim of a rape charge, and in the midst of his trial, a traveling sage comes to set the story straight. |
^Digitally remastered classics with HD quality presented by FLIK
Spotlight On Teddy Soeriaatmadja
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Diambil dari tulisan Rayya Makarim berjudul "The Man dibalik About a Woman"
Dari perjuangan seorang anak mencari bapaknya di “Lovely Man”, ke obsesi supir taksi dengan pelacur di “Something in the way”, Teddy Soeriaatmadja menutup trilogy of intimacy-nya dengan film drama “About a Woman.” Mungkin bukan suatu kebetulan kalau perjalanan ketiga film ini berawal dari pencarian seorang perempuan 19 tahun, lalu mampir pada kisah obsesi dua orang dewasa, dan akhirnya berujung pada cerita seorang perempuan yang mendambakan sebuah sentuhan intim di senja kehidupannya. Kita pun bisa melihat perkembangan penyutradaraan Teddy yang tampak lebih matang dalam drama sederhana yang ditampilkannya di “About a Woman.” Seorang sutradara pada umumnya memiliki fokus dan pendekatan yang berbeda-beda. Ada yang berpusat pada struktur skenario di mana nilai artistik terdapat dalam naratif dan ritme dialog. Ada juga yang mengandalkan performa actor untuk menyampaikan emosi yang terkandung dalam cerita. Ada lagi yang mengutamakan kecantikan gambar dan memberikan porsi besar pada tata kamera yang menciptakan shot-shot visual yang menawan. Apapun gayanya, pada dasarnya sutradara yang andal mengerti bahwa setiap elemen (teknis maupun non-teknis), perlu diramu dan dipadukan menjadi satu kesatuan yang kemudian bisa dinikmati sebagai sebuah karya kreatif yang utuh. Tentunya bukan hal yang mudah, tapi inilah yang dicoba dilakukan Teddy di “About a Woman.” Teddy mengandalkan skenario dengan cerita sederhana yang serba minimalis; irit karakter, satu lokasi, minim dialog. Di sini lah dia bermain dengan pengadeganan dengan penekanan pada gestur-gestur kecil dan suasana yang dibangun dan dijaga dari awal sampai akhir film. Contoh sederhananya adalah adegan pembuka di mana si ibu meloncat-loncat mencoba membersihkan sarang laba-laba tapi gagal karena plafon terlalu tinggi sehingga ia tak sampai. Adegan ini dimunculkan kembali di tengah film, kali ini yang membersihkan Abi, pemuda yang dikirim untuk membantu dan menemaninya. Abi dengan mudah membereskan apa yang tak bisa dilakukan si ibu. Dengan demikian Teddy tak hanya menyajikan adegan-adegan untuk alasan praktis yaitu pengembangan cerita, tapi juga menawarkan lapisan yang lebih mendalam: misalnya bagaimana si ibu yang sudah berumur ini dengan susah payah menggapai sesuatu yang tak mungkin bisa ia raih kembali, yaitu masa mudanya. Juga bagaimana yang muda tak menggubris pesatnya perjalanan waktu dan dengan enteng menyiakannya. Si ibu mengamati Abi (yang menjadi symbol masa muda dan kejantanan) dengan perasaan terpesona, kagum, tapi sekaligus miris. Pilihan puzzle juga punya makna tersendiri. Kepingan-kepingan berserakan di atas meja selama dua minggu dan masih juga belum terlihat jelas gambarnya. Ini menunjukkan begitu rapuhnya kesehatan fisik dan mental kita di masa tua. Tak hanya itu. Selain menjadi visual image yang enak dipandang, ketika puzzle rampung di akhir film, gambarnya menunjukkan senja, matahari yang terbenam. Perempuan tua itu terisak melihat susunan gambar yang tak berpihak padanya; menandakan keberadaannya di dunia ini semakin pudar. Di credit title pun sang protagonis hanya disebut dengan Ibu/Oma. Karakter lainnya memiliki nama, hanya dia yang tak punya, seolah karena umurnya, ia tak lagi punya hak atas identitasnya. Semua ini pasti sudah dipikirkan secara matang sejak tahap penulisan, tapi di tangan sutradara yang kurang peka, detil-detil kecil macam ini belum tentu muncul ke permukaan. Karena seluruh cerita berlangsung di satu rumah, penyutradaraan dari segi gambar terlihat dari konsep kamera yang cenderung statis, guna memberikan ruang dan waktu pada pemain untuk mengungkapkan drama dalam naratif. Si ibu hampir tak pernah tampak di luar rumah. Dia seakan “terkurung” (walaupun secara sukarela) di tempat kediamannya. Framing kamera sering menempatkannya di antara kusen pintu, bingkai jendela, pantulan cermin sehingga perempuan tua ini tampak “terjebak” dalam adegan-adegan interior yang diisi dengan rutinitas sehari-hari. Sementara Abi yang muda dan gagah sering terlihat di luar rumah sibuk dengan kegiatan-kegiatan fisik yang penuh gerakan. Teddy telah menciptakan kontras yang tegas antara dua dunia; Perempuan tua vs. lelaki muda, interior rumah yang gelap dan remang-remang vs. eksterior kebun yang cerah, struktur kaku rumah vs. tekstur alam yang penuh kehidupan (pohon, rumput, air). Dengan bantuan sinematografer Ical Tanjung yang menciptakan frame dan shot-shot yang serba sempit dan sesak, rumah yang seharusnya menjadi tempat peristirahatan yang nyaman dan tenteram, mendadak berubah menjadi semacam kurungan. Si ibu tak bebas dan seolah diingatkan kembali betapa tak berdayanya dia melawan takdir. Pada akhirnya adalah aktor; nafas dari sebuah film karena mereka lah yang menyampaikan emosi dari cerita. Pengarahan semua pemain dalam “About a Woman” dilakukan dengan subtil dan kepekaan yang langka. Ada Laras (Anneke Jody), anak si ibu yang sedang coba-coba berjilbab karena suaminya suka, tapi ia tetap tak bisa menghentikan kebiasan merokok. Lalu ada mantu si ibu, Bimo (Ringgo Agus Rahman), seorang pecundang yang tak pernah jelas kerjanya dan tak peka dengan keadaan di sekitarnya. Mereka dimainkan dengan pas, mengingatkan kita pada karakter-karakter yang kita kenal dalam kehidupan sehari-hari. Tapi yang paling berkesan adalah akting Tutie Kirana yang memerankan si ibu dengan prima. Di industri yang gaya aktingnya cenderung verbal dan berlebihan, Teddy membangun ketegangan dan keintiman antara pemain utamanya secara hening dan elegan. Tak banyak kata untuk menjelaskan, cukup gestur kecil dan jeda untuk menggambarkan seribu makna. Tugas sutradara adalah menerjemahkan kata-kata ke dalam medium gambar lewat pengolahan konsep-konsep abstrak menjadi konkret. Ia menentukan pilihan shot, penempatan dan gerak kamera yang cocok dengan cerita yang ingin disampaikan. Dan ia juga bertanggung jawab atas staging dan pengarahan pemain yang merupakan jiwa dari sebuah film. Teddy Soeriaatmadja menjadi Sutradara Terbaik Pilihan Tempo tahun ini bukan karena dia memiliki fokus tertentu atau pendekatan yang istimewa, tapi justru karena ia mencakup kurang lebih sebagian besar kriteria tugas-tugas tersebut. Ia menguasai dan memahami filmnya secara menyeluruh. Berkat visi kreatifnya yang sukses meramu semua elemen tadi, Teddy berhasil mengantarkan “About a Woman” sebagai sebuah karya seni yang utuh dan cemerlang. |
Lovely Man (18+)
Drama, 76 minutes (2011, Indonesia) 15 January 2016 / 19.00 Cahaya, a student at an Islamic school, leaves to Jakarta to find her father, Syaiful, who left home when she was four years old. When she arrives at the big city, she discovers that he is completely different from the man she was expecting. 
Something In The Way (21+)
Drama, 89 minutes (2013, Indonesia) 22 January 2016 / 21.30 Ahmad is a taxi driver in Jakarta who is addicted to erotic films and books, but has no means to channel his lust because he is sexually incapacitated. A glimmer of hope appears when Ahmad falls in love with his neighbor Kinar, a prostitute, who he regularly drives to her appointments. 
About a Woman (21+) Drama, 76 minutes (2014, Indonesia) 31 January 2016 / 19.00 A widow of 65 lives alone but denies she is lonely. Her family sends her grandson, teenager Abi, to help around the house. The widow, who is starting to feel insecure about her fading beauty, and Abi, a teenager exploding with emotions, begin to change their perception of each other, from awkwardness to attraction. |
KinoSpecial : 2015 Sundance Film Festival Award Winning Shorts
Showcasing a wide variety of story and style, the 2015 Sundance Film Festival Short Film Tour is a 83-minute theatrical program of six short films that won awards at the 2015 edition of the January Festival, which over the course of its 30-year history has been widely considered the premier showcase for short films and the launchpad for careers of many now-prominent independent filmmakers. Including fiction, documentary and animation from around the world, the distinct 2015 program traverses vibrant styles from wild comedy to quiet poetry.
24 January 2016 / 19.00
29 January 2015 / 19.00
24 January 2016 / 19.00
29 January 2015 / 19.00
SMILF
Short Film Jury Prize: US Fiction
Written and directed by Frankie Shaw. USA, 9 minutes.
A young single mother struggles to balance her old life of freedom with her new one as mom. It all comes to a head during one particular nap-time when Bridgette invites an old friend over for a visit.
SMILF is Frankie Shaw’s first short film, which she wrote, directed and starred in. She is currently developing a TV show from the story. Shaw graduated from Barnard College of Columbia University with a degree in literature, then moved to Los Angeles where she currently lives. Shaw first received recognition acting in the completely improvised Sundance film The Freebie and then as the oddball drunken cheerleader in the sitcom Blue Mountain State.
Short Film Jury Prize: US Fiction
Written and directed by Frankie Shaw. USA, 9 minutes.
A young single mother struggles to balance her old life of freedom with her new one as mom. It all comes to a head during one particular nap-time when Bridgette invites an old friend over for a visit.
SMILF is Frankie Shaw’s first short film, which she wrote, directed and starred in. She is currently developing a TV show from the story. Shaw graduated from Barnard College of Columbia University with a degree in literature, then moved to Los Angeles where she currently lives. Shaw first received recognition acting in the completely improvised Sundance film The Freebie and then as the oddball drunken cheerleader in the sitcom Blue Mountain State.
Oh Lucy!
Short Film Jury Prize: International Fiction
Written and directed by Atsuko Hirayanagi. Japan/Singapore/U.S.A, 22 minutes.
Setsuko, a 55-year-old single so-called office lady in Tokyo, is given a blonde wig and a new identity, Lucy, by her young, unconventional English-language teacher. "Lucy" awakens desires in Setsuko she never knew existed.
Atsuko Hirayanagi was born in Nagano and raised in Chiba, Japan. She is a recent graduate of NYU Tisch School of The Arts, Asia with an MFA in Film Production, where she received the Cathay Scholarship from Singapore’s Cathay Organization. Her short films have played at numerous film festivals, including Clermont-Ferrand and Tokyo Short Shorts Film Festival & Asia, where her MFA 2nd year project, Mō Ikkai, won the Grand Prix as well as the Japan Competition Best Short (Governor of Tokyo Award) and the Audience awards. Atsuko is currently developing a feature script of Oh Lucy!
Short Film Jury Prize: International Fiction
Written and directed by Atsuko Hirayanagi. Japan/Singapore/U.S.A, 22 minutes.
Setsuko, a 55-year-old single so-called office lady in Tokyo, is given a blonde wig and a new identity, Lucy, by her young, unconventional English-language teacher. "Lucy" awakens desires in Setsuko she never knew existed.
Atsuko Hirayanagi was born in Nagano and raised in Chiba, Japan. She is a recent graduate of NYU Tisch School of The Arts, Asia with an MFA in Film Production, where she received the Cathay Scholarship from Singapore’s Cathay Organization. Her short films have played at numerous film festivals, including Clermont-Ferrand and Tokyo Short Shorts Film Festival & Asia, where her MFA 2nd year project, Mō Ikkai, won the Grand Prix as well as the Japan Competition Best Short (Governor of Tokyo Award) and the Audience awards. Atsuko is currently developing a feature script of Oh Lucy!
The Face of Ukraine: Casting Oksana Baiul
Short Film Jury Prize: Non-Fiction
Written and directed by Kitty Green. Russian and Ukrainian, 7 minutes.
Adorned in pink sequins, little girls from across a divided, war-torn Ukraine audition to play the role of Olympic champion figure skater Oksana Baiul, whose tears of joy once united their troubled country.
Kitty Green is an award-winning Australian filmmaker. In 2012, Kitty moved to her grandmother’s native Ukraine to shoot with the protest movement ‘Femen’. Her abduction by the KGB made headlines internationally. Her feature documentary, Ukraine Is Not A Brothel screened at the Venice Film Festival, SXSW, Hot Docs and over fifty festivals internationally. After Sundance, The Face of Ukraine: Casting Oksana Baiul made its European premiere at the Berlin Film Festival.
Short Film Jury Prize: Non-Fiction
Written and directed by Kitty Green. Russian and Ukrainian, 7 minutes.
Adorned in pink sequins, little girls from across a divided, war-torn Ukraine audition to play the role of Olympic champion figure skater Oksana Baiul, whose tears of joy once united their troubled country.
Kitty Green is an award-winning Australian filmmaker. In 2012, Kitty moved to her grandmother’s native Ukraine to shoot with the protest movement ‘Femen’. Her abduction by the KGB made headlines internationally. Her feature documentary, Ukraine Is Not A Brothel screened at the Venice Film Festival, SXSW, Hot Docs and over fifty festivals internationally. After Sundance, The Face of Ukraine: Casting Oksana Baiul made its European premiere at the Berlin Film Festival.
Storm hits jacket
Short Film Jury Prize: Animation
Written and directed by Paul Cabon. 2014, France, 13 minutes.
A storm reaches the shores of Brittany. Nature goes crazy, and two young scientists get caught up in the chaos. Espionage, romantic tension, and mysterious events clash with enthusiasm and randomness.
Born in Brest in 1985, Paul Cabon is a French director and animator. After a course in applied arts at Estienne (Paris), he attended ESAAT in Roubaix where he graduated in animation. Between 2007 and 2009 he studied at La Poudrière in Valence, where he directed Sauvage, which won the special student film prize in the Annecy festival in 2010. He has worked as an animator, scriptwriter and background artist and character designer for the series Michel at Folimage and as an illustrator in various fanzines.
Short Film Jury Prize: Animation
Written and directed by Paul Cabon. 2014, France, 13 minutes.
A storm reaches the shores of Brittany. Nature goes crazy, and two young scientists get caught up in the chaos. Espionage, romantic tension, and mysterious events clash with enthusiasm and randomness.
Born in Brest in 1985, Paul Cabon is a French director and animator. After a course in applied arts at Estienne (Paris), he attended ESAAT in Roubaix where he graduated in animation. Between 2007 and 2009 he studied at La Poudrière in Valence, where he directed Sauvage, which won the special student film prize in the Annecy festival in 2010. He has worked as an animator, scriptwriter and background artist and character designer for the series Michel at Folimage and as an illustrator in various fanzines.
Object
Short Film Special Jury Prize for Poetic Vision
Written and directed by Paulina Skibińska. Poland, 15 minutes.
A creative image of an underwater search in the dimensions of two worlds—ice desert and under water—told from the point of view of the rescue team, of the diver, and of the ordinary people waiting on the shore.
Paulina Skibińska, born in 1987 in Kowary, near Jelenia Góra, Poland, graduated from the Post-Secondary Studio of Culture Animation in Wrocław in 2009. She earned her M.A. degree in screenwriting at the Łódź Film School (2014), where she is now pursuing her Ph.D. studies. OBJECT is her first film as director. Being a screenwriter of numerous internationally awarded short fiction and animated films, including http://, The Kiss and 48hTV, Paulina is presently at work on her full-length fiction debut film.
Short Film Special Jury Prize for Poetic Vision
Written and directed by Paulina Skibińska. Poland, 15 minutes.
A creative image of an underwater search in the dimensions of two worlds—ice desert and under water—told from the point of view of the rescue team, of the diver, and of the ordinary people waiting on the shore.
Paulina Skibińska, born in 1987 in Kowary, near Jelenia Góra, Poland, graduated from the Post-Secondary Studio of Culture Animation in Wrocław in 2009. She earned her M.A. degree in screenwriting at the Łódź Film School (2014), where she is now pursuing her Ph.D. studies. OBJECT is her first film as director. Being a screenwriter of numerous internationally awarded short fiction and animated films, including http://, The Kiss and 48hTV, Paulina is presently at work on her full-length fiction debut film.
World of Tomorrow
Short Film Jury Award (Best of Fest)
Written and directed by Don Hertzfeldt. U.S.A., 17 minutes.
A little girl is taken on a mind-bending tour of the distant future.
Don Hertzfeldt is an Academy-Award nominated American animator and independent filmmaker. He is the creator of many animated films, including It's Such a Beautiful Day, The Meaning of Life, and Rejected, and recently created a “couch gag” opening for The Simpsons. His films have received over 200 awards and have been presented around the world.
Short Film Jury Award (Best of Fest)
Written and directed by Don Hertzfeldt. U.S.A., 17 minutes.
A little girl is taken on a mind-bending tour of the distant future.
Don Hertzfeldt is an Academy-Award nominated American animator and independent filmmaker. He is the creator of many animated films, including It's Such a Beautiful Day, The Meaning of Life, and Rejected, and recently created a “couch gag” opening for The Simpsons. His films have received over 200 awards and have been presented around the world.
Coming of Age Films
Perubahan mendadak pecahnya suara sebagai pertanda masa akil balik menghadirkan perasaan janggal yang tersimpan sepanjang masa. Suara kita yang kita percayai selama kurang lebih 11 atau 12 tahun, tiba tiba berubah 180 derajat. Dari yang lirih, manis, menjadi berat, dan rendah terseok-seok. Pelajaran menyanyi di sekolah dasar tidak lagi semudah seminggu yang lalu.
Cinema yang pada dasarnya diciptakan untuk mengamati seluk beluk manusia, adalah medium yang populer digunakan untuk mengamati masa akil balik ini. Begitu banyak film yang mencatat perjalanan perasaan karakter-karakter remaja. Tentunya munculnya ragam film-film bersubgenre coming of age ini tidak lepas dari menariknya dunia dan persoalan-persoalan yang dihadapi remaja. Masa akil balik adalah periode hidup manusia yang dipenuhi dengan tantangan, penjelajahan, pertanyaan-pertanyaan tak terjawab, kemarahan, ambiguitas, sebuah dunia penuh kemungkinan, sebuah dunia diantara masa kecil dan kedewasaan, sebuah proses yang penuh warna.
Cinema adalah medium yang tepat untuk memotret berbagai jenis warna termasuk keragaman saturasinya, juga macam-macam abu-abu tidak hanya hitam dan putih, sebuah kondisi yang dimiliki oleh masa akil balik.Bulan Januari 2016, Kinosaurus memilih 2 film akil balik untuk program specialnya. Girlhood karya Céline Sciamma dan Sister karya Ursula Meier. Kedua film ini dipilih atas kelancarannya bercerita, tanpa mengurangi kejujuran dan kecermatannya menanggapi persoalan-persoalan sosial, seperti masalah seputar rasialisme, gender, pengabaian kesenjangan ekonomi, dan hal-hal mengganjal lainnya seperti pecahnya suara yang terasa datang mendadak di masa akil balik.
<Edwin>
Cinema yang pada dasarnya diciptakan untuk mengamati seluk beluk manusia, adalah medium yang populer digunakan untuk mengamati masa akil balik ini. Begitu banyak film yang mencatat perjalanan perasaan karakter-karakter remaja. Tentunya munculnya ragam film-film bersubgenre coming of age ini tidak lepas dari menariknya dunia dan persoalan-persoalan yang dihadapi remaja. Masa akil balik adalah periode hidup manusia yang dipenuhi dengan tantangan, penjelajahan, pertanyaan-pertanyaan tak terjawab, kemarahan, ambiguitas, sebuah dunia penuh kemungkinan, sebuah dunia diantara masa kecil dan kedewasaan, sebuah proses yang penuh warna.
Cinema adalah medium yang tepat untuk memotret berbagai jenis warna termasuk keragaman saturasinya, juga macam-macam abu-abu tidak hanya hitam dan putih, sebuah kondisi yang dimiliki oleh masa akil balik.Bulan Januari 2016, Kinosaurus memilih 2 film akil balik untuk program specialnya. Girlhood karya Céline Sciamma dan Sister karya Ursula Meier. Kedua film ini dipilih atas kelancarannya bercerita, tanpa mengurangi kejujuran dan kecermatannya menanggapi persoalan-persoalan sosial, seperti masalah seputar rasialisme, gender, pengabaian kesenjangan ekonomi, dan hal-hal mengganjal lainnya seperti pecahnya suara yang terasa datang mendadak di masa akil balik.
<Edwin>
GIRLHOOD (15+)
Bande de Filles
A film by Céline Sciamma, 113 minutes
2014 - France - Drama
10 January 2016 / 21.30
23 January 2016 / 19.00
29 January 2016 / 21.30
Oppressed by her family setting, dead-end school prospects and the boys law in the neighborhood, Marieme starts a new life after meeting a group of 3 free spirited girls. She changes her name, her dress code, and quits school to be accepted in the gang, hoping that this will be a way to freedom.
Bande de Filles
A film by Céline Sciamma, 113 minutes
2014 - France - Drama
10 January 2016 / 21.30
23 January 2016 / 19.00
29 January 2016 / 21.30
Oppressed by her family setting, dead-end school prospects and the boys law in the neighborhood, Marieme starts a new life after meeting a group of 3 free spirited girls. She changes her name, her dress code, and quits school to be accepted in the gang, hoping that this will be a way to freedom.
SISTER (15+)
L'Enfant d'en haut
A film by Ursula Meier
2012 – Switzerland, France – Drama, 97 minutes
17 January 2016 / 19.00
23 January / 21.30
31 January / 21.30
A luxury ski resort in Switzerland. 12-year-old Simon lives in the industrial valley below, with his jobless sister. Every day, he takes the ski-lift to the opulent ski world above, stealing equipment from the rich tourists to resell to the local kids back down. As he partners with a crooked British seasonal worker, Simon loses his boundaries, which affects the relationship with his sister. Confronted with a truth they had both been escaping, Simon seeks refuge up above.
L'Enfant d'en haut
A film by Ursula Meier
2012 – Switzerland, France – Drama, 97 minutes
17 January 2016 / 19.00
23 January / 21.30
31 January / 21.30
A luxury ski resort in Switzerland. 12-year-old Simon lives in the industrial valley below, with his jobless sister. Every day, he takes the ski-lift to the opulent ski world above, stealing equipment from the rich tourists to resell to the local kids back down. As he partners with a crooked British seasonal worker, Simon loses his boundaries, which affects the relationship with his sister. Confronted with a truth they had both been escaping, Simon seeks refuge up above.
Essential cinema
Stalker (15+)
A Film by Andrei Tarkovsky
Drama, Sci-Fi | 2h 43min (1979, U.S.S.R.)
15 January 2016 / 21.30
In an unnamed country at an unspecified time, there is a fiercely protected post-apocalyptic wasteland known as The Zone. An illegal guide (Aleksandr Kajdanovsky), whose mutant child suggests unspeakable horrors within The Zone, leads a writer (Anatoliy Solonitsyn) and a scientist (Nikolay Grinko) into the heart of the devastation in search of a mythical place known only as The Room. Anyone who enters The Room will supposedly have any of his earthly desires immediately fulfilled.
A Film by Andrei Tarkovsky
Drama, Sci-Fi | 2h 43min (1979, U.S.S.R.)
15 January 2016 / 21.30
In an unnamed country at an unspecified time, there is a fiercely protected post-apocalyptic wasteland known as The Zone. An illegal guide (Aleksandr Kajdanovsky), whose mutant child suggests unspeakable horrors within The Zone, leads a writer (Anatoliy Solonitsyn) and a scientist (Nikolay Grinko) into the heart of the devastation in search of a mythical place known only as The Room. Anyone who enters The Room will supposedly have any of his earthly desires immediately fulfilled.
NEW Cinema
Laurence Anyways (15+)
A Film by Xavier Dolan
2012, France, Drama, 168 minutes
2 January 2016 / 21.30
24 January / 21.30
Laurence Anyways tells the story of an impossible love between Frédérique and her long-term boyfriend Laurence, a man who reveals his inner desire to become his true self: a woman. Set during the late 1980s and early 1990s, the story spans a decade, chronicling the doomed love of Fred and Laurence, as well as the trials and tribulations that they face.
A Film by Xavier Dolan
2012, France, Drama, 168 minutes
2 January 2016 / 21.30
24 January / 21.30
Laurence Anyways tells the story of an impossible love between Frédérique and her long-term boyfriend Laurence, a man who reveals his inner desire to become his true self: a woman. Set during the late 1980s and early 1990s, the story spans a decade, chronicling the doomed love of Fred and Laurence, as well as the trials and tribulations that they face.
Siti (18+)
A Film by Eddie Cahyono
2014, Indonesia, Drama, 95 minutes
2 January 2016 / 19.00
3 January 2016 / 21.30
16 January 2016 / 19.00
30 January 2016 / 19.00
A young mother to her son, Siti has to find ways and means to care for her family as a karaoke guide. Tainted by her profession, Siti finds her husband no longer wishes to speak to her.
A Film by Eddie Cahyono
2014, Indonesia, Drama, 95 minutes
2 January 2016 / 19.00
3 January 2016 / 21.30
16 January 2016 / 19.00
30 January 2016 / 19.00
A young mother to her son, Siti has to find ways and means to care for her family as a karaoke guide. Tainted by her profession, Siti finds her husband no longer wishes to speak to her.
KINOdocs
The Pirate Bay Away From Keyboard (15+)
A Film by Simon Klose
Documentary, 85 minutes (2013, Sweden)
9 January 2016 / 21.30
Its the day before the trial starts. Fredrik packs a computer into a rusty old Volvo. Along with his Pirate Bay co-founders, he faces $13 million in damage claims to Hollywood in a copyright infringement case. Fredrik is on his way to install a new computer in the secret server hall. This is where the worlds largest file sharing site is hidden.
When the hacker prodigy Gottfrid, the internet activist Peter and the network nerd Fredrik are found guilty, they are confronted with the reality of life offline away from keyboard. But deep down in dark data centres, clandestine computers quietly continue to duplicate files.
A Film by Simon Klose
Documentary, 85 minutes (2013, Sweden)
9 January 2016 / 21.30
Its the day before the trial starts. Fredrik packs a computer into a rusty old Volvo. Along with his Pirate Bay co-founders, he faces $13 million in damage claims to Hollywood in a copyright infringement case. Fredrik is on his way to install a new computer in the secret server hall. This is where the worlds largest file sharing site is hidden.
When the hacker prodigy Gottfrid, the internet activist Peter and the network nerd Fredrik are found guilty, they are confronted with the reality of life offline away from keyboard. But deep down in dark data centres, clandestine computers quietly continue to duplicate files.
Man on Wire (15+)
A Film by James Marsh
Documentary, Biography, 94 minutes (2009, United Kingdom)
16 January 2016 / 21.30
22 January 2016 / 19.00
30January 2016 / 21.30
Using actual footage from the event seamlessly mingled with new re-enactments, filmmaker James Marsh masterfully recreates high-wire daredevil Philippe Petit's 1974 stunt: performing acrobatics on a thin wire strung between the Twin Towers of the World Trade Center. Plotting his feat like a master cat burglar, Petit enlists the help of a motley group of friends as he calculates every detail, from acquiring building access to stringing up the wire, and manages to pull off an astounding crime.
A Film by James Marsh
Documentary, Biography, 94 minutes (2009, United Kingdom)
16 January 2016 / 21.30
22 January 2016 / 19.00
30January 2016 / 21.30
Using actual footage from the event seamlessly mingled with new re-enactments, filmmaker James Marsh masterfully recreates high-wire daredevil Philippe Petit's 1974 stunt: performing acrobatics on a thin wire strung between the Twin Towers of the World Trade Center. Plotting his feat like a master cat burglar, Petit enlists the help of a motley group of friends as he calculates every detail, from acquiring building access to stringing up the wire, and manages to pull off an astounding crime.
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